Lee Gang-sik sits in jail with a life sentence because of murder. His good behavior the last 15 years earns him the opportunity to be released for one day & visit his family. But how will his son, whom he let down for 15 years, react?

Normal is relative. A father, taking care of the 19-year-old handicapped son who declares his independence. He can´t take nor turn down his son who wants to live like a normal person for at least one day.

As a self-proclaimed feminist filmmaker returns to her hometown to visit her mother who is recovering from cancer, a long-delayed conversation with her mother reveals their past and dives into the truth of living as an ethnic Korean Chinese women.

When an Admiral orders the use of Agent Orange in Vietnam, he has no idea the deadly consequences of his actions for his son.

Hunter Biden lives a lifestyle of parties and corruption when he meets stripper Grace Anderson, who learns more about American politics as she gets closer and closer to the president's son.

Only one woman had the unique privilege to call Jesus her son. Mary was blessed to be the mother of the Savior sent by God to rescue the world from death. Watch as Mary experiences the miracle of Jesus' coming and humbly grows in her understanding that her son is also her Savior. The good news is that Jesus is your Savior too.

“My paintings are not about what is seen. 　　They are about what is known forever in the mind.” 　　– Agnes Martin 　　“'‘I’m very careful not to have ideas, because they’re inaccurate,’ the artist Agnes Martin says in Mary Lance’s touching documentary about her, but it’s a lie. Ms. Martin was full of ideas, and she dispenses them engagingly in the course of the film… She talks about her early childhood on the plains of Saskatchewan. And by the end of the film, Ms. Lance has gently led you to connect that comment with Ms. Martin’s signature style of work: broad horizontal bands of subtle hues Her remembrances of her years in New York and New Mexico are lovely to hear, as are her bits of philosophy.” 　　– Neil Genzlinger, The New York Times

A story about a top actor who inevitably goes into virtual reality and receives a mission to protect his child by playing a father, and suddenly loves his son with the heart of a real father and faces the shocking truth.

Daniel needs to leave a Wisconsin house party. Simple enough-until it isn't. Every step toward the door is stalled by well-meaning friends, beer-fueled banter, cheese curds, Kringle, impersonations, and the ever-repeating promise: "Pizza's coming." What begins as a polite Wisconsin farewell spirals into a surreal, slow-burning nightmare-equal parts funny, uncomfortable, and oddly familiar. Shot in long, fluid takes on an iPhone 15, Daniel Needs To Leave is a genre-bending short that slips from comedy to horror and back again. It's a playful yet unsettling reflection on the social anxiety of leaving, the weight of politeness, and the strange purgatory of Wisconsin goodbyes.

A "movie" that is a mirror of the times. At the forefront of the movie, there are "important things" to know now ... Kento Nakajima learns about such "movie now" through interviews and on-site interviews.